Publications

2018

The Interface-Score: Electronic Musical Interface Design as Embodiment of Performance and Composition

Authors: Enrique Tomás. Doctoral Thesis, Supervisor: Martin Kaltenbrunner, Kunstuniversität Linz, Austria, 2018 fedora.phaidra.ufg.at phaidra.ufg.at

SoundJam 2018: Acoustic Design For Auditory Enrichment

Authors: Fiona French, Paul Kendrick, Reinhard Gupfinger. ACI 2018 : Fifth International Conference on Animal-Computer Interaction, Atlanta, USA, 2018 www.zoojam.org

The TUIO 2.0 Protocol: An Abstraction Framework for Tangible Interactive Surfaces

Authors: Martin Kaltenbrunner, Florian Echtler. Proceedings ACM Hum.-Comput. Interact.2, EICS, Article 8 (June 2018), 34 pages., 2018 dl.acm.org doi.org

Animals Make Music: A Look at Non-Human Musical Expression.

Authors: Reinhard Gupfinger, Martin Kaltenbrunner. MDPI Journal on "Multimodal Technologies and Interaction", Special issue on "Multimodal Technologies in Animal–Computer Interaction", 2018 www.mdpi.com doi.org

Collaborative Design Methods towards Evaluation of a Tangible Interface.

Authors: Visda Goudarzi, Enrique Tomás, Artemi-Maria Gioti. Proceedings of the International Conference on Live Interfaces (ICLI), 2018 liveinterfaces.org

Performative Topologies For Musical Expression

Authors: Jens Vetter. Master Thesis, Kunstuniversität Linz, Austria, Supervisor: Martin Kaltenbrunner, 2018 jensvetter.de

Tquencer: A Tangible Musical Sequencer Using Overlays

Authors: Martin Kaltenbrunner, Jens Vetter. TEI 2018, March 18–21, 2018, Stockholm, Sweden, 2018 dl.acm.org

Schallmauer: Composing Tactile Sound for the Solid Medium

Authors: Martin Kaltenbrunner, Enrique Tomás. 2018 2018.xcoax.org

2017

Bringing Your Own Device into Multi-device Ecologies: A Technical Concept

Authors: Kerstin Blumenstein, Martin Kaltenbrunner, Markus Seidl, Laura Breban, Niklas Thür, Wolfgang Aigner. Proceedings of the ACM International Conference on Interactive Surfaces and Spaces (ISS2017), Brighton, United Kingdom., 2017 dl.acm.org

Diffractive Interfaces: la difracción como una metodología de investigación artística.

Authors: Andreu Belsunces, Laura Benítez Valero, Ulrich Brandstätter, César Escudero, Fabricio Lamoncha, Paula Pin, Enrique Tomás. Artnodes. (20), pp.85–100, 2017 art.ubiquitypress.com

Homo Restis: Constructive Control Through Modular String Topologies

Authors: Jens Vetter, Sarah Leimcke. Proceedings of the 17th Conference on New Interfaces for Musical Expression (NIME17), Copenhagen, Denmark, 2017 www.nime.org

How the Arts Can Help Tangible Interaction Design: A Critical Re-Orientation

Authors: Enrique Tomás. Informatics Journal, Special Issue on Tangible Interaction Design, MDPI, 2017 www.mdpi.com

An Abstraction Framework for Tangible Interactive Surfaces

Authors: Martin Kaltenbrunner. Doctoral Dissertation, Supervisor: Florian Echtler, Bauhaus-Universität Weimar, Germany, 2017 e-pub.uni-weimar.de

Sonic Experiments with Grey Parrots: A Report on Testing the Auditory Skills and Musical Preferences of Grey Parrots in Captivity

Authors: Reinhard Gupfinger, Martin Kaltenbrunner. Proceedings of the Fourth International Conference on Animal-Computer Interaction (ACI2017), Milton Keynes, UK, 2017 dl.acm.org

2014

Sound Tossing: Audio Devices in the Context of Street Art

Authors: Reinhard Gupfinger, Martin Kaltenbrunner. Proceedings of the 14th Conference on New Interfaces for Musical Expression (NIME14), London, United Kingdom, 2014 www.nime.org

Tangible Scores: Shaping the Inherent Instrument Score

Authors: Enrique Tomás, Martin Kaltenbrunner. NIME’14, June 30 – July 03, 2014, Goldsmiths, University of London, UK, 2014 www.nime.org