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  • Diffractive Interfaces: la difracción como una metodología de investigación artística.

Diffractive Interfaces: la difracción como una metodología de investigación artística.

Authors: Andreu Belsunces, Laura Benítez Valero, Ulrich Brandstätter, César Escudero, Fabricio Lamoncha, Paula Pin, Enrique Tomás. Artnodes. (20), pp.85–100, 2017 art.ubiquitypress.com

  • New Musical Interfaces
  • Tangible Interaction Design
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  • Enrique Tomás

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Topics

  • Animal-Computer Interaction
  • Electronic Music & Sound Art
  • New Musical Interfaces
  • Physical Embodiment
  • Postdigital Design
  • Spatial Audio
  • Tangible Interaction Design

Keywords

  • Exhibition
  • Guest Lecture
  • Instrument
  • Postdigital Lutherie
  • Research Method
  • Teaching Practice
  • Workshop
University of Art and Design Linz

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  • Tamlab
  • Team
  • Master
  • Projects
  • Publications
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Topics

  • Animal-Computer Interaction
  • Electronic Music & Sound Art
  • New Musical Interfaces
  • Physical Embodiment
  • Postdigital Design
  • Spatial Audio
  • Tangible Interaction Design

Contact

Tangible Music Lab
Institute of Media Studies
University of Art and Design Linz
Peter-Behrens-Platz 8-9 4020 Linz Austria
tamlab@kunstuni-linz.at tamlab.kunstuni-linz.at Imprint
Sabina Hyoju Ahn Former PhD Student
Reinhard Gupfinger Independent Post-Doc Researcher
Marie Lynn Speckert PhD Candidate
Florian Goeschke PhD Candidate
Echo Ho PhD Candidate
Jens Vetter Lecturer & PHD Candidate
Enrique Tomás Senior Lecturer & Post-Doc Researcher
Martin Kaltenbrunner Head of Department & Program Director
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